it’s spring, my sapling
but i can’t watch you
stretch your branches
or spread fingers
in the sky. can’t hear
your laughter shake
green in the wind
don’t smell good earth
kicked up at your
little root feet,
petrichor when
you point & tremble
sweet sapling, spring
shows me space you
may have been; another
whole hole full
of emptiness
rather, i plant myself
in a cotyledon curl,
dream of more
yellow birds alight
in dark branches
& on white flashes
of bark, brown eyes
watch me, unblinking
in a yellow wood,
my sapling, spring
is ever on the edge
of my eyelid, my lips
spill voiceless
mouthfuls of converge
converge
converge.
Tuesday, May 13, 2014
he sayd, she sayd
his backache groans
as fate & conscience
readjust, settle
their weight
on the balance
of his shoulders,
& tendril secrets
in gilded strands
to a whirring spool
between sharp ears.
when he listens
he cocks his head
forward, so he can
see the circumference
of your words
before they land.
he is two steps back
& eagle eyed.
he is one great
leap ahead.
on seat-edges
in red dark
we strain forward
ears, eyes eager
open wide, wide
for the spring song
of a small brown bird.
perched on stage,
perched on one
leg, the other
trying to launch her
skyward with every
takeoff note.
but the weight
of her words is more
than just heavy.
the coo and tremble
in her hollow bones
take us too close to the
sun for wax wings
& the curtains
of her face.
forever ago is for emma
south & south west
you crouch atop a windaround
dirt hill, hide from mother, sister, wife,
hold out - in arms that shake
like samson’s pillars,
arms streaked with red dust
& a tired tenderness -
a squalling mass
of big eyes & brown curls,
whisper what you gave away
& want forgiveness.
but all i can do is break
like a five string serenade,
like a long dream from a short sleep
in a cold night, and slap tears
off my cheeks on a bad morning.
you crouch atop a windaround
dirt hill, hide from mother, sister, wife,
hold out - in arms that shake
like samson’s pillars,
arms streaked with red dust
& a tired tenderness -
a squalling mass
of big eyes & brown curls,
whisper what you gave away
& want forgiveness.
but all i can do is break
like a five string serenade,
like a long dream from a short sleep
in a cold night, and slap tears
off my cheeks on a bad morning.
(one from october) airstream
a sharp smart
in eyelid corners
after a quick inhale
of crisp october air.
it tingles, a nosetip
almost-sneeze,
furious blinking.
i clench a weight
of wind in hungry fists,
release it as
currency, the cost
of explaining
forward momentum.
a wet wobble
in swept current,
after a riverbed heart
of smooth regret
slides loose, chooses
flow — over staid,
stubborn eroding.
in eyelid corners
after a quick inhale
of crisp october air.
it tingles, a nosetip
almost-sneeze,
furious blinking.
i clench a weight
of wind in hungry fists,
release it as
currency, the cost
of explaining
forward momentum.
a wet wobble
in swept current,
after a riverbed heart
of smooth regret
slides loose, chooses
flow — over staid,
stubborn eroding.
for the times
for the times
it didn’t end
and times
before it did
a slow song
with long notes
in a minor key
and 3/4 time
to be one fourth
out of touch
with whateverelse
and three fourths
in touch
too much
with yourselfs
for the times
you edgeskirted
so long you wore
the edge in
and it bent
toward the void
and lost its lip
for the wind
and the winding
maps of self-progress
always in circles,
and cycles
for the wheel
that sent you
reeling
further in
further down
instead of up
and out.
for the crave
of silence instead
of whitenoise.
all the time
overwhelmed by
dizziness
until all you need
is to stop the ride
and get off
for your chime
of hollow laughs
echoing against
the sides of
themselves
for the dark
grimaces
you mask as grins
and bear it
barely
for the tips
of fingers
whiteknuckled,
their reach
long after
your reaching
for the times
of good notes
and good days
good shades
of good greys
good friends
and goodbyes.
it didn’t end
and times
before it did
a slow song
with long notes
in a minor key
and 3/4 time
to be one fourth
out of touch
with whateverelse
and three fourths
in touch
too much
with yourselfs
for the times
you edgeskirted
so long you wore
the edge in
and it bent
toward the void
and lost its lip
for the wind
and the winding
maps of self-progress
always in circles,
and cycles
for the wheel
that sent you
reeling
further in
further down
instead of up
and out.
for the crave
of silence instead
of whitenoise.
all the time
overwhelmed by
dizziness
until all you need
is to stop the ride
and get off
for your chime
of hollow laughs
echoing against
the sides of
themselves
for the dark
grimaces
you mask as grins
and bear it
barely
for the tips
of fingers
whiteknuckled,
their reach
long after
your reaching
for the times
of good notes
and good days
good shades
of good greys
good friends
and goodbyes.
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